Show Don't Tell: Immersive Writing From The Roots Up, by Carmen Fox
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Show Don't Tell: Immersive Writing From The Roots Up, by Carmen Fox
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3D Writing At Your Fingertips Showing and telling are among the most powerful skills an author can acquire, yet incomplete and misleading information has caused much confusion. No more. Using easy-to-understand examples, this short guide demonstrates how to compel and immerse readers in 3D writing, without clogging scenes with unnecessary description. Carmen Fox, author of Divide and Conquer and Guarded, takes her craft seriously. “Over the past fifteen years, I’ve been taught by the best instructors in the business. Some of their nuggets nudged while others dragged me toward publication. Yet it wasn’t until I’d figured out showing and telling that my writing soared. My imagination finally had lift-off.” Aimed at new and intermediate authors, ‘Show Don’t Tell – Immersive Writing From The Roots Up' will set you on your own path to excellence.
Show Don't Tell: Immersive Writing From The Roots Up, by Carmen Fox- Amazon Sales Rank: #1171531 in eBooks
- Published on: 2015-09-20
- Released on: 2015-09-20
- Format: Kindle eBook
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Most helpful customer reviews
1 of 1 people found the following review helpful. Shortcuts for cutting to the pith of your scenes By Roberta Pearce There is so much writerly advice out there – I’ve bought much of it and sampled some, with varied levels of like. I mean, every work is going to teach you something you didn’t know, right? In any event, Show Don’t Tell caught my attention while I was in a mood – the mood being annoyance over the postmodern writers’ commandment that Thou shalt not tell. I [digitally] cracked open Show Don’t Tell, prepared to have my annoyance jacked to self-indulgent, self-righteous levels.Ms. Fox totally trumped me. Not only does she write that telling is not a sin, she provides good examples of when it’s appropriate. So I calmed down and just read this short, concise work. And learned some great tips. There wasn’t much new – I mean, things I didn’t already know nor had an idea of – but Ms. Fox distilled the vague essence of my knowledge into practical examples and things to watch for in one’s writing, and how the balance of showing and telling affect and perfect the pacing of your writing. Tips and little, useful [not laborious!] “homework” bits abound, and I learned many great shortcuts for cutting to the pith of a scene, making for tighter writing. Ms. Fox touches on all aspects of construction, from dialogue and narrative, to subtext and description. A must read, even if, like me, you think you know it all!
0 of 0 people found the following review helpful. Writing Guide Will Improve Writing! By Haley This short writing guide is perfect for beginning writers. It covers all the basics of telling vs. showing as well as some other basics such as cliches and overused words. Unlike extensive guides which can be overwhelming, this will teach the basics quickly without going into much depth. This guide can also be a good refresher for veteran authors. I highly recommend this be added to your virtual bookshelf of writing resources.
1 of 2 people found the following review helpful. If you write, you should read this By Laura Are you an author or an aspiring author and want to make your output grab the reader by the throat and immerse them face first in a world of experience so real it makes the reader feel like they're there with the characters? Read this book. I've heard people say "show don't tell" a lot and I thought I knew what it meant (I'm an avid reader), but until I read this book I realized that I had only grasped a small portion of what the phrase means. And worse, I'd gone too far in the other direction and excised practically all telling from my writing (if you're sitting there thinking that's a good thing, isn't it? you should definitely give this book a read, as actually the best novels need both and this explains how to decide which is called for). The book gives you practical examples that really let you see the difference between showing and telling and the effects achieved by various methods of showing. It also explains how to use your showing so what your characters observe gives you information about those characters. As a reader I love that, but I hadn't realized precisely what it was I was loving until Carmen took me through it step by step. In fact, I had a world of aha-moments where, as a side effect of what she was explaining, she revealed to me what it is I love so much about some authors' writing and how I can get the same effects in my own. But fear not, she's not prescriptive. You won't finish this book writing just like Carmen Fox, you will finish this book equipped with the skills and knowledge to write as the best you possible - and to make conscious choices about the effects you want to achieve. And by the way, although Carmen says this book is aimed at new and intermediate authors, I can name at least two bestsellers whose work would definitely improve if they read this book, so even if you're already a successful author, you should still consider this book (I almost didn't read it because I was thinking: yeah, yeah I already know this stuff, and it's true, I already knew about 3% of it, but l am so glad I read the rest) . Also, although this book is expressly aimed at novelists, I think most journalists would do well to learn the lessons in it (especially anyone wanting to get a human interest angle into their stories), as these techniques really do lead to the people and places in your writing coming alive to the reader - as you'll be able to see for yourself from the comparative examples of bad, good and even better practice she gives. In summary, if you ever write anything, there's at least a 90% chance you could make your life easier and your writing better by reading this book.
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